Representing a slightly skewed take on 2004’s “Cellular” crossed with a lobotomized “Silence of the Lambs,” Brad Anderson’s high-concept thriller “The Call” would be an unremarkable bit of women-in-peril dreck were it not for two distinguishing factors — the sexualized sadism inflicted upon the half-dressed 16-year-old Abigail Breslin, and the equally sadistic Sideshow Bob coiffure affixed to the otherwise lovely Halle Berry. These indignities aside, there’s little to differentiate this high-pitched screamer from a particularly feverish “Law and Order” rerun, and it might be tough for such a film to dial in sizable auds to theaters.